Day 5 concluded the festival with three performances: a physical theatre performance about migration from Aaron Govea (half of Naranjazul Theater Company), a psychological exploration based on the writings of Steve Biko from Skaraventer Project, and a re-working of the Icarus myth by Pisa-based Azulteatro (IT). Unfortunately I missed the latter - the closing performance of the festival, because of a scheduling error that saw me running for the bus an hour earlier than I had planned. My apologies to the artists from Azulteatro - and their work Icarus Studio #2 - Towards Freedom will be the only show from the festival that I did not review.
Mexico-born actor and director Aaron Govea relies on personal experience and research for this performance Mundo Lunaticus (from the Latin, meaning 'World Lunatic'), adapted for a solo performance at Faki. It's a series of vignettes about mobility, loosely following the migration of a single character and his (her?) encounters with authority, and the happenings of their inner psychology.
From the beginning, the text presents the identity crisis which comes with displacement from one's homeland. Immediately on entering the stage with a suitcase under each arm, a voiceover of the character asks 'who am I?', splitting the voice of the character into two, and in conversation with itself. This turns into a conversation with the live actor, and then the voiceover transforms into a woman's voice, further confusing expectations of subjectivity, with reassurances such as "I'm a native. I'm indigenous".