My article about White Night, an event in Melbourne modelled on Paris's Nuit Blanche which itself takes its name after Saint Petersburg's White Nights festival, was published over at Spook Magazine.
http://www.spookmagazine.com/finally-corporation-artist/
The article makes an argument for these city-festivals concealing their true objectives - raising capital and branding the city, and appearing as 'arts festivals' to the detriment of art and art dialogue. This is inevitably an unpopular argument in Australia, where the distinctions between public and private are seldom visible - making it a perfect melting-pot for new forms of creative capital. The Audi Artcar is a sad example.
http://www.spookmagazine.com/finally-corporation-artist/
The article makes an argument for these city-festivals concealing their true objectives - raising capital and branding the city, and appearing as 'arts festivals' to the detriment of art and art dialogue. This is inevitably an unpopular argument in Australia, where the distinctions between public and private are seldom visible - making it a perfect melting-pot for new forms of creative capital. The Audi Artcar is a sad example.